just why 4’33”?

(excerpt from the lecturer “Endlessness and the Empty Space in Music and Architecture”) John Cage’s three movement composition for any instrument or combination of instruments (1952) is probably his most famous and at the same time most controversial piece. While it nowadays even hits the charts, it was an exciter at the premiere: 4’33” obviously … Continue reading

Endlessness and the Empty Space in Music and Architecture

The lecturer at NTSO symposium was about relevant themes to contemporary music and architecture as well as about similarities in the processes of creation. As examples for „empty“ architecture egyptian pyramids, Robert Rauschenberg’s „White Paintings“, John Cage’s composition 4’33“ and Daniel Libeskind’s jewish museum in Berlin were discussed. Endlessness was the second main topic – … Continue reading